Frieze London
The tent itself. 172 galleries from 42 countries, and the reason the whole city is busy.
One white tent in Regent's Park costs £38 to walk into. Almost everything else happening that week is free. This is the map.
Frieze is an art fair where elite galleries rent a booth in a temporary tent in Regent's Park and sell work for five days, mostly to collectors and institutions rather than to the average Joe. There are two tents. Frieze London holds contemporary art, and Frieze Masters sits a short walk across the park with everything made before 2000. Tickets start at £38 and you have to buy them online, and once you leave there is no re-entry, so go in knowing which tent you want.
Frieze Week is the cultural event that grows around it, where museums and institutions tag onto the fact that so many buyers and artists are in town. Cork Street and Dover Street put up the shows they have been saving, the museums open the exhibitions they want reviewed, and a handful of smaller fairs take over hotels and hospitality spaces. The good thing is a lot of these extra activities are free, and it's a good week to do some museum hopping. None of it needs a Frieze ticket. Plenty of it needs nothing at all.
The tent itself. 172 galleries from 42 countries, and the reason the whole city is busy.
Everything made before 2000, fifteen minutes' walk across the park from the contemporary tent.
Eleven artists installed in the English Gardens, and nobody checks a ticket at the gate.
Seventy-five galleries spread through the bedrooms of a hotel, which is a much better way to look at art than a booth.
About seventy artists selling their own work with no gallery in between, which means you can actually afford something.
A brand new Latin American fair opening with 22 galleries and Mexico as its first focus.
Collectable design and objects in a tent on Berkeley Square, for anyone who finds paintings a bit flat.
Embroidery and mosaic built out of Palestinian craft, pattern and geometry.
The first UK show given entirely to the battered Hero paintings he made in 1965 and 1966.
New paintings of public and private life, and his first solo show in London.
A one-night cult queer club night in a Mayfair gallery, with no guest list, which during Frieze week is the joke.
Fourteenth London edition, contemporary art from Africa and its diaspora, in the wings of Somerset House.
Nineteen paintings on intimacy, isolation and belonging. His first solo show in Europe.
Five years of dreamlike portraits celebrating queer lives, which will be the most photographed show of the week.
Over sixty works by the man who spent a career painting white, and finding an enormous amount in it.
A kinetic installation made from salvaged Barbican parts: water-driven cymbals, leaking sinks, fans blowing across old wiring.
Paintings of salespeople and their customers, which is a very funny thing to hang during an art fair.
Her first London show in fifteen years, with new sculpture that goes back over her own earlier ideas.
Over 200 rare prints by more than eighty photographers, tracing the moment photography decided it was art.
Closing the same day Frieze does, so this is genuinely your last week for the Vantablack works.
Her first European retrospective, including a library installation of more than 2,000 books, all of which go to local charities afterwards.
Contemporary Asian art and diaspora, from traditional technique through to work made with AI.
116 galleries, a whole section under £500, and the only fair this week where the prices are on the wall.
Total spend: a travelcard.